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This dramatic drawing of the dead Christ is made in charcoal.
Christ's head is tilted back, his eyes are closed and his mouth
open wide. One half of his face lies in shadow, the soft charcoal
rubbed carefully into the paper. Above, the Crown of Thorns ferociously
pierces his forehead. The long spikes of the thorns contrast strongly
with the long curls of his hair which trail, limply down his shoulder.
The small, loose curls of his beard stand out against the white
of the paper. The strong neck is deeply shadowed. However, the
line of the shoulders is barely indicated.
The text, written by the artist, records that the artist made
'two faces' when he was ill in that year. This drawing may be a
companion to another in The British Museum which shows a suffering
man. The two drawings of male suffering may reflect the artist's
state of mind during his own illness.
Although a work of art in its own right, this drawing may have been
made in connection with a print or painting. However, no such finished
work is known.
Further Reading/Sources:
PD SL 5218-29 Department
of Prints and Drawings, German Roy XVIc
J. Rowlands and G. Bartrum, Drawings by German artists in
the Department of Prints and Drawings in the British Museum,
2 vols. (London, The British Museum Press, 1993), p. 73, no.
154, plate 101
J. Rowlands with G. Bartrum, The age of Dürer
and Holbein: German drawings 1400-1550 (London, The British
Museum Press, 1988), pp. 75, 78, no. 50
E. Panofsky, Life
and art of Albrecht Dürer, 4th
ed. (Princeton University Press, 1955)
J.C. Hutchison, Albrecht Dürer: a biography (Princeton
University Press, 1990)
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