Born:
1862
Salem, Massachusetts
Died:
1951
Salem, Massachusetts
Biography:
Born in Salem, Massachusetts, Frank Benson was a painter of impressionist
seascapes and landscapes, often with figures posed by his wife and
children and also numerous hunting scenes. He spent most of his life
in the seaport town of Salem and loved trekking through the countryside
for his subject matter, especially wildlife. He is credited with
making the American sporting print a distinct art form and for being
one of the outstanding 20th-century wildlife printmakers.
He was a teacher in Portland, Maine at The Society of Art, and in
Boston at The Museum of Fine Arts, where he and his good friend Edmund
Tarbell established it as a top-notch institution.
He studied art in Boston at the Museum School of Fine Arts and in
1883 in Paris with Boulanger and Lefebvre at the Academie Julian
during the French Impressionism movement. By the early 1900s, he
had a very successful career and was a member of the Ten American
Painters, a prestigious group of early impressionists.
He was a life-long hunter, and it was said that he knew birds as
only a sportsman can. He worked in both etching and drypoint and
was lauded for his clear design, the naturalness of his birds and
hunters, and the mastery of etching techniques.
In 1900, Benson discovered the pleasures of North Haven Island off
the coast of Maine, and from that time, he and his family spent every
there, even purchasing a farm where he had a studio. There his style
became increasingly impressionistic.
Midway through his career as a recognized
oil painter, he began to paint with watercolors, perhaps inspired
by Winslow Homer's use of that medium to show hunting scenes in
the Adirondacks. In 1921, Benson became a serious watercolorist
while on a fishing expedition to the Gaspe Peninsula of Quebec,
and from that time until his death in 1951, he created nearly six-hundred
watercolors. He also did an occasion still life with Oriental themes
such as "Confucius" circa
1930.
Credit:
Peter Falk, "Who Was Who in American
Art", Michael David Zellman, "300 Years of
American Art"
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