Sargent was commissioned to paint Kathleen, Cary Phyllis and Sylvia Hunter by
their mother Mary, who was a leading Edwardian society hostess and close friend
both of Sargent and Rodin. The fan held by the centre figure echoes the overall
sweep of the young women's full skirts in what is a highly innovative composition.
The sisters are seated on a 'confidante' circular sofa, and are shown with their
dog Crack.On seeing this picture when it was first exhibited Rodin declared that
Sargent was 'the Van Dyck of our times'. This is plausible, for while having
absorbed the influences of impressionism, Sargent's work was firmly and consciously
rooted in the portrait traditions of Van Dyck and Velázquez.
(From the display caption January 1994)
|
|