Presented by Lord Duveen through the National
Art Collections Fund 1925.
The finished portrait, which was exhibited as 'Madame X', belongs
to the Metropolitan Museum in New York, and the Tate Gallery's version
is a full-size sketch. The sitter was the American wife of a French
banker in Paris. Sargent knew her and asked her to sit for him, and
deliberately planned a sensational portrait with an unconventional
pose. Her head is turned into sharp profile emphasising her nose,
her right arm is twisted and her shoulders exposed.The adverse criticism
of the finished portrait at the Paris Salon of 1884 so damaged Sargent's
reputation that the following year he moved to live permanently in
Britain. His later portraits were never so adventurous.
(From the display caption
November 1990)
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