Michelangelo's profound influence on art is matched only by Leonardo
and Raphael. His understanding of classical art, and his concentration
on heroic and idealized male nudes, was profoundly influential.
The British Museum has over eighty drawings by Michelangelo, the
largest group outside Italy.
Born near Florence in 1475, Michelangelo was a pupil of Domenico
Ghirlandaio (1449-94). As a young man, he painted the Manchester
Madonna (National Gallery, London) and carved the Battle
of the Centaurs. In 1494 he left Florence and travelled to
Venice and Bologna. From 1496 Michelangelo was working in Rome
on the marble Pietà (St Peter's, Rome) and the
painting of the Entombment (National Gallery, London).
He returned to Florence in 1501 where he drew the cartoon of the Battle
of Cascina to rival Leonardo's Battle of Anghiari,
and in 1502-4 he carved the marble David (Accademia, Florence).
In 1505 he was summoned to Rome by Pope Julius II, who commissioned
the ceiling of the Sistine Chapel and the unrealised project for
his tomb. Figure studies from two famous scenes in the Sistine Chapel,
the Creation of Adam and the Crucifixion of Haman,
are in The British Museum. From 1534, Michelangelo concentrated on
rebuilding St Peter's and painting the Last Judgement (1536-41,
Sistine Chapel, Rome). His finest late drawings are the 'Presentation
Drawings', which he drew as gifts for his closest friends and supporters.
They are profound meditations on Michelangelo's spiritual and emotional
struggles. He died in Rome in 1564, and was buried in his native
Florence.
Further Reading/Sources:
M. Hirst, Michelangelo and his drawings (New Haven and
London, Yale University Press, 1988)
J.A. Gere and N. Turner, Drawings by Michelangelo in the collection
of Her Majesty the Queen at Windsor Castle, The Ashmolean Museum,
The British Museum and other English collections, exh. cat.
(London, The British Museum Press, 1975)
J. Wilde, Italian drawings in the Department of Prints and Drawings
in the British Museum: Michelangelo and his studio (London,
The British Museum Press, 1953)
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